Stand by Me (1986)

 

Sammenhold

“Stand by me” is based on a Stephen King story that was not in the horror genre, which in its own right is worth notice. Instead, it is a coming-of-age story made into a movie by Rob Reiner. Something also worth of notice. Rob Reiner has made a lot of very strong movies, and this was still early in his career.

In present day, writer Gordie Lahanche (Richard Dreyfuss, Will Wheaton) is reminiscing about an incident in his childhood (1959) where he and his friends went to see a dead body.

It is summer and the boys Gordie, Chris (River Phoenix), Teddy (Corey Feldman) and Vern (Jerry O’Connell) are hanging out in their treehouse (and a really cool treehouse at that). Vern has overheard his older brother talk about a body of a local boy left in the woods and so the boys decide to check that out. It is a long hike through the wilderness and when they finally get there, the body is “contested” by a group of older (and menacing) boys led by the scary Ace (Kiefer Sutherland). That is really it.

The real story however is what is happening with the boys on the walk to the body. It is quite literally an odyssey, both externally and internally.

On this walk the boys are facing a number of challenges. They escape from a junkyard owner and his menacing dog, they narrowly avoid getting run over by a train, they fall into a swamp where they get attacked by leeches and they spend a harrowing night, sleeping and standing guard in the woods before the final challenge in front of Ace.

The interesting journey however is the internal journey the boys are taking. Throughout the movie we listen to their banter and silly talk, but enmeshed in all this is a lot of uncertainty. Teddy is upset because his father is considered mentally ill and it is somehow rubbing off on him. Vern is insecure about everything. To him, just keeping up with the other boys is a victory all on its own. Chris is commonly considered a bad boy out of a bad family and the stigma is very oppressive. He is convinced he will be stuck in that role and that freaks him out. Gordie, himself, has a double problem. His brother Denny (John Cusack) has recently suffered a tragic death and though not outright blamed, Gordie clearly feels that his father would have preferred him to have died instead. Gordie is bookish and an aspiring writer, something his father has no interest in. This also means that Gordie will likely not take the same classes as his friends in the coming years and he may lose them.

Each of the boys will come to terms with their failings before the end and come out of this as better versions of themselves, so when they face Ace and his gang at the end, they know they have each other’s back. Well, at least Gordie has Chris back.

A story like this could be rather tedious and heavy handed. Both the coming of age and the odyssey themes are very old and classic, but, somehow, they are elegantly woven together here so I only realized near the end what was actually going on. Rob Reiner can probably take a lot of credit for that, but so can the four boys playing the protagonists. There is an ease to them assuming their roles that makes me believe that they really are those characters. When you think child actors, the natural reaction is to roll the eyes, but these four are very convincing and the selling point is the ease of their banter and the way they interact.

I also like very much that the tone never gets sentimental or outright silly. It is a balancing act to keep it real and you can sense that at times it must have been tempting to drive it a bit in one or the other direction. Gordie’s loss of a brother or Vern’s hunt for his penny treasure, but it never crosses the line and that makes the story very believable, and this is why I as a viewer care about these boys.

“Stand by Me” did not win a ton of Oscars and I had personally never heard of it before, but in my research, I found that this movie has been hugely influential on a lot of other filmmakers. When Jules and Vincent in “Pulp Fiction” go on and on about French burgers and what not, it is a direct reference to “Stand by Me”.

Definitely a positive experience.

  

The Color Purple (1985)

 

Farven Lilla

“The Color Purple” was Steven Spielberg’s attempt to move away from the youthful action and adventure films he had become famous for and try his hands on more serious and “adult” topics (as he called it himself). The story he chose is based on the novel of the same name by Alice Walker and there are plenty of adult themes here for his hands to work on. Incest, domestic violence, racism and poverty to mention a few.

Celie (Desreta Jackson / Whoopi Goldberg) and Nettie (Akosua Busia) are sisters in rural Georgia in the early twentieth century. Their father is abusive and as the movie opens Celie is giving birth to a child fathered by her own father, only for the child to be given away immediately.

Celie is given away as a bride to Albert Johnson (Danny Glover), whose first wife has died. Albert is just as abusive as Celie’s father so no news there, and she is as much a maid (or slave) in Albert’s household as anything else. Nettie runs away from the father and seeks shelter with Celie, but when she refuses Albert’s sexual advances, he kicks her out, kicking and screaming and even hides the letters Nettie writes to Celie over the years.

During Celie’s long “marriage” with Albert two sub-stories are in focus. Albert’s son Harpo (Willard Pugh) marries Sofia (Oprah Winfrey), a strong and stout woman who will not stand for the kind of treatment women gets in this household. She walks away with her children but eventually returns. She also gets 8 years in prison for refusing to become the maid of the white mayor’s wife.

The second story is that of Shug Avery (Margaret Avery). She is a free spirit performer who is chased by Albert. Eventually she moves into the household and befriends Celie. Over the years she seems to be coming and going a few times.

 As is clear from the above, this is a gruesome story with hardships and abuse all around. Starting out with Celie’s father siring children on his own daughter, arranged marriage, an abusive husband, racism and effective slavery. There is plenty here. In the hands of a realist filmmaker this could be a crushing movie.

Steven Spielberg is great, but he is not that kind of filmmaker. In his hands everybody comes about as... morons, as caricatures. He brought in a levity, an almost comic element, which I suppose is intended to make the movie watchable, but which I feel is mocking the characters. Rather than evil or mean, the abusive characters, whether they are the men or the white people, become clowns and fools. Yes, they certainly are fools, but that harmless veneer removes the edge of the movie. In the same vein, the black women, who are universally the victims of the story are getting a silly and hapless edge which seems to say that they are in their predicament because they are too stupid to free themselves and that is deeply unfair to the characters.

I have not read the book so I cannot tell if this actually originates there, but my suspicion is that this is the Spielberg touch and if that is the case, I think he may have been the wrong director for the movie.

His focus appears to be having Celie sit all this out patiently and overcome her hardships in a final rebellion. That is Spielberg Classic, but, I think, not really the story that needs to be told here.

There is plenty of production value her, though. The pictures are beautiful, and the acting is first class. Goldberg at the centre delivers a stellar performance and you can tell a lot of thought has gone in to recreate the era. If anything, it is almost too smooth. This is a story that may have benefitted more from a grittier production.

I suppose “The Color Purple” deserves credit for taking on the serious themes of this story. They are important, both in a historical context and in the present day, but I am not certain they were done a great service here. There is an edge missing that ultimately leaves me a bit disappointed. Spielberg would eventually make up for these flaws with “Schindler’s List”, but with “The Color Purple” the Spielberg touch missed the mark.