The first of the off-List movies I have selected for 1963 is “Charade”. Thank you, Bea, for reminding me of this movie. It is not only a good pick for a movie that should have been on the List, it is also exactly what I need in a stream of otherwise depressive movies.
“Charade” was recommended to me by my parents-in-law about a year and a half ago and we watched it together back then. I remember wondering why this movie was not on the List when so much garbage seem the clutter the early sixties part of the List, so I started to look for flaws. Strangely enough I found almost none. Almost, because there is a bit of aging to this movie, but viewed in context with other 1963 movies the flaws are negligible. Here on second viewing I am even happier about it. This is movie that truly makes me smile.
“Charade” is a Byzantine maze of hidden identities and scams, an everbody-against-everybody, a free for all to get the coveted prize of 250.000$.
Regina “Reggie” Lampert (Audrey Hepburn) is an American socialite in France. She is vacationing in the Alps with her friend when she is approached, apparently innocently, by Peter Johua (Cary Grant). Upon returning to Paris her husband is dead and their apartment entirely empty. Turns out Reggie knew practically nothing about the late Mr. Lampert and all he has left her is a travelling back with four different passports and a letter that her dentist appointment has been rescheduled.
In this moment of need Peter reappears and helps her get back on her feet. Only, he is not alone. No less than four other men shows up, including a CIA man, Bartholomew (Walter Matthau), with a keen interest in her, her husband and an awful lot of money that he was supposed to have, but nobody can find.
What we learn over the following events is that very few are what they claim to be. One character in particular changes identity four times in the course of the movie! There are also very few limits to the extent these people will go to get the money, including murder. The confusion and mystery make for perfect ingredients both for comedy and suspense and “Charade” plays both horses very well. The comedy is largely borne by Grant and Hepburn. Grant for simply being his usual character (think Thornhill in “North by Northwest) and Hepburn for being, well, her typical character, somewhere in between “Breakfast at Tiffany’s” and “Roman Holiday”. The ping-pong dialogue between these two is a reminiscent of the 1930’ies screwball comedy and it mostly work, though Grant’s lines misfires occasionally.
Where Peter Joshua is the jovial character, the three stooges, Scobie (George Kenedy), Tex (James Coburn) and Gideon (Ned Glass), are the sinister types that brings danger to the mix. The suspense largely comes from their side when they try to force a solution. Yet, maybe there is an outside player who is even worse…
Beside handling both comedy and suspense very well, “Charade” has an excellent pace, that keeps you seated and engaged throughout and, not least, tons of charm. A remake was made in 2002 (“The Truth About Charlie”) that goes only for the suspense element and in the process loses all the charm of the original. That one cannot be recommended.
Of course there is a credibility issue. I doubt anybody would have handled herself as cool as Reggie does and I doubt State Treasury employee’s would go to those extents to bring back money, an army of lawyers would be more realistic, but that is not the point. In the world “Charade” takes place in, this story is completely credible, and we would not have it any other way.
“Charade” is a wonderful good time. It is an excellent opportunity to watch some of the best actors and actresses of the period do their thing and it is a travesty that this movie is not on the List.