Indiana Jones and the Temple of Doom (1984)

Off-List: Indiana Jones and the Temple of Doom

The three original Indiana Jones movies are to my mind all masterpieces and although the second instalment, “The Temple of Doom”, is often considered the poorer of the three, it is still far ahead of anything that came after “The Last Crusade”. It is a mystery why these three were not all adopted for the List.

“Indiana Jones and the Temple of Doom” (IJTD) is a prequel to “Raiders of the Lost Ark”. If you did not catch that from the date displayed (1935), it is apparent from the complete lack of Nazis. The setting is also quite different, taking place exclusively in Asia (China and India), but the most notable differences are how far it ventures into dark mystery and unbelievable stunts.

The opening is light enough. At the cabaret venue of Bar Obi-Wan (caught that?) in Shanghai, a transfer of an archaeological artifact for a diamond between Indiana Jones (Harrison Ford) and a Chinese gangster (Roy Chiao) goes haywire with shooting, dancing, poisoning and general confusion. Dr. Jones barely manages to escape with cabaret singer Willie Scott (Kate Capshaw) and child sidekick Short Round (Ke Huy Quan) in tow.

Finding themselves alone on a plane about to crash in the Himalayas, they bail out, using an inflatable boat as a parachute (!). After a completely insane decent from the mountains, they end up in India. Here the villagers believe our unlikely trio is godsent to save them from the evil flowing out from the Pankot palace. This sets off the real adventure of the movie, involving a Thuggee cult (See Gunga Din) and some very dark magic.

Some elements suffer from the classic sequel problem of “let us do the same but bigger”. The stunts are crazier where both the bailing out of the plane and the rollercoaster ride in the mines had been abandoned in “Raiders of the Lost Ark” for being too much and unbelievable. Instead of snakes, we get bugs, and instead of Nazis we get cultists. It is exhilarating, but also a tad stupid.

What we also get is a lot of the Indiana Jones vibe we love. The dry humour and the outlandish adventure and of course the gung-ho attitude. We also get a setting and a plot that is sufficiently different from the first movie to set it apart as a different movie. I used to find this darkness a detraction, but as I got older, I see it as an asset. There is something at stake here, it is not just fun and games and that adds much needed depth to the movie.

In our household, the most common talking point is the choice of lead actress. Kate Capshaw is, for lack of a better word, annoying. Her shrieking voice and her attitude is a source of pain throughout the movie, but again, as I get older, I see it actually works for the movie. I am not certain my wife has come to that conclusion yet.

Mostly “IJTD” is a fun adventure ride, made by the champions of such rides, Lucas and Spielberg. Many have tried to copy the format, but I have yet to see anybody besting it. Any of the three classic Indiana Jones movie are worth taking out any given evening or Sunday afternoon and it is a guaranteed good time. “The Temple of Doom” is my pick when I need it to be a bit darker and as such it does what it needs to do perfectly.

My favourite scene of the entire movie is the dinner scene in the palace. It takes the concept of disgusting local delicacies to an entirely different levels, and we often refer to one of these amazing dishes when we want to describe horrible outlandish food (nice, snake surprise!!!). Childish, I know, but this is a movie of my childhood.

Interestingly, both the Chinese and Indian authorities would not allow the movie to be filmed in their countries. Some people are so touchy.

 

The Karate Kid (1984)

 

The Karate Kid

One of the most iconic, most referenced and highest grossing movies to be released in 1984 was “The Karate Kid”. Even today, one of the best series on Netflix is “Cobra Kai”, a spin-off of “The Karate Kid”. “Wax on, Wax off” must rate as one of the most recognizable quotes in movie history and this movie is supposed to have done the same for the karate sport as “Sideways” did for Pinot Noir.

Why is this movie not on the List?

My wife asked the same question after we had watched the movie (again) last night and the only answer I can give is snobbery. I do not think “The Karate Kid” was ever considered high art and by including “The Terminator”, I suppose the List editors thought they had ticked that box for 1984.

Daniel LaRusso (Ralph Macchio) is a high school teenager moving to California with his mother (Randee Heller). Daniel starts his new Californian life with a few bumpy days. On the upside, he meets a pretty (and rich) girl Ali (Elisabeth Shue). On the downside, he also meets Ali’s very jealous ex-boyfriend, Johnny Lawrence (William Zabka). Unfortunately, Johnny knows karate and so does his buddies, so Daniel gets his ass kicked multiple times.

Daniel also meets the Japanese born janitor of the apartment block, Mr. Miyagi (yeah, I can see it, you are beginning to smile...) (Noriyuki “Pat” Morita). When things look the very bleakest, Miyagi steps in and probably saves Daniel from ass-kicking turning fatal. Mr. Miyagi also knows karate.

A confrontation with Johnny’s master Kreese (Martin Kove) of the Cobra Kai dojo results in a truce. Johnny must stay off Daniel until the All-Valley karate tournament, 2 months hence, at which point he can kick the shit out of Daniel. Daniel now has two months to learn karate from Mr. Miyagi himself.

While “The Karate Kid” is a martial arts film with a lot of fight scenes that (I am told) are both awesome and realistic, this really a coming-of-age story with the focus on the master and apprentice relationship between Daniel and Miyagi. This relationship is also what makes the movie special and memorable all these years later.

From the outset, Daniel is obnoxious. There is no other way to describe him. If it is the lack of a father figure, I do not know, but he takes to Miyagi as if he was his father and there is a mutual respect and sympathy between the two that is very touching. This starts before the karate training begins, but the karate makes it formal. By teaching Daniel karate, he is also forming him as a person.

It helps a lot that Miyagi is a quirky and amusing character with a lot of fantastic lines. The famous “Was on, wax off” line is not even close to his best ones. Morita’s deadpan delivery makes his lines even better. Morita could both draw on his father’s (a Japanese immigrant) mannerism and speech and his experience as a stand-up comedian and his Mr. Miyagi character is one of the classic characters in movie history, synonymous with mysterious-wise and fatherly teacher.

Robert Mark Kamen wrote the story based on his own childhood experience. His first teacher was a Kreese-type teacher, while his second was a Japanese teacher who was a follower of Chojun Miyagi of Okinawa. It sort of creates depth to the story.

As a child, I could totally identify with the characters in the movie and who has not dreamt of having a Mr. Miyagi? As an adult, I still find the movie incredibly watchable. It is not just interesting at its core, it is also very well executed on all sides and funny to boot. This may be a template story, but so well done that I can forgive the clichés.

“The Karate Kid” generated many sequels and spin-offs and for the most part they got progressively worse. Trying to tell the same story again and again is not a recipe for success. This lasted until 2018 when Macchio and Zabka came together in the “Cobra Kai” series that picks up the thread 33 years after ”The Karate Kid”. Six seasons down the line, this is still the best thing on Netflix.