My Wife Wants Me to See This: Married to the Mob
The third movie my wife got to chose for 1988 is the
romantic comedy “Married to the Mob”. This is one of her favourite movies, so I
have promised to give it a nice review.
Again, this is a movie with a strong, female lead. Angela de Marco (Michelle Pfeiffer)
is the cliché wife of an Italian-American mob henchman, Frankie "The
Cucumber" de Marco (Alec Baldwin). Like all the wives in her circle, she
lives an idle life of housewife’ing, looking pretty, and all the creature
comfort illegal money can get. Except, Angela is sick of it, all of it. Angela
wants out. When Frankie is shot for frequenting the same whore as his boss, Tony
"The Tiger" Russo (Dean Stockwell), Angela sees an opportunity. She
gives everything away and leaves for New York with her son. This move is also
strongly motivated by the amorous, but unwanted, interest of Tony.
Angela has
also attracted the attention of the FBI. She was the wife of the murdered
Frankie and she was seen kissing (or being kissed by) Tony. Clearly, she must
have something to do with it. The lead investigator is the competent, but
slightly juvenile, agent Mike Downey (Matthew Modine).
The new
shithole apartment in New York is now getting crowded with unwanted guests from
both the mob and the FBI, while Angela is simply trying to move on with her new
life as a hairdresser. Predictably, this leads to awkward and comical situation
with Tony looking for Angela, Connie (Mercedes Ruehl) looking for Tony (the
only person Tony is afraid of) and Mike taking close surveillance very literally.
This gets even more complicated when Mike falls in love with Angela.
Of course,
this cannot go on and when it blows up, it really blows.
This is a
romantic comedy with stress on both words. The romance is a very key component,
and that counts for the miserable one with Frankie, the unwanted one with Tony
and the dreamy one with Mike. The same is true for the comedy. Practically
everything plays for comedic effects. This is not just the New York apartment
that serves as a Marx Brothers stateroom, but everything else too. The
gangsters do kill people, but they are also over the top gangsters who enjoy
songs to their praise, sport silly nicknames and over-do the whole Italian mob
family thing. It works though. Yes, they are a bit silly, but it is also fun.
The greatest character, though, is Connie. Connie constantly suspect that Tony
is unfaithful (which he is) and she is a huntress on the prowl when she smells
foul play. She becomes literally feral when she goes after Tony and woe that
person that gets in her way. Watching the badass gangster boss being afraid of
his wife is priceless.
By 1988 the
Italian gangster film is a well-established trope. It is already a log time
since “The Godfather” and mobsters are getting to be a bit of a joke. “Married
to the Mob” takes all these tropes and clichés and makes fun of them and
because we are so familiar with the tropes, they become so funny here.
It also changes
the viewpoint to a female position. This allows for angles we otherwise never
see. What do all these mob-spouses actually do? It also allows for a strong and
interesting female lead, something all the movies in this category has in
common (not surprisingly, my wife likes movie with strong female leads). It is
great to have such movies and a movie like “Married to the mob is an example of
the options that gives the movie maker. Michelle Pfeiffer grabs this
opportunity and gets the best out of it.
Director
Jonathan Demme went on to make other movies with strong female leads such as “Silence
of the Lambs” (NOT a romantic comedy), but before “Married to the Mob” he
directed the fantastic Talking Heads concert movie “Stop making Sense”
(reviewed on this blog). He brought along David Byrne who made a great musical
score for “Married to the Mob”.
It is very
difficult not to like “Married to the Mob”. If you accept it as a romantic
comedy, and it never claims to be anything else, it will not disappoint.
Probably a good date movie too.

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