Off-List: The Naked Kiss
The second off-list movie of 1964 is “The Naked Kiss”. It is not a movie I knew up front, but one that has been recommended. It was therefore not a given thing that I would like it. Ultimately I did, so thank you for the recommendation.
Samuel Fuller, the director, producer and writer of the movie, had made a name for himself as a somewhat controversial filmmaker, in that he picked and, enthusiastically, delved into the seedier and lurid parts of life. In “Shock Corridor” it was mental illness or outright insanity. In “The Naked Kiss” it is prostitution and pedophilia. I bet that got your attention.
Kelly (Constance Towers) is a prostitute who apparently is pretty sick of her profession. When she arrives in a small town she does one job and then makes a career change and starts working with handicapped children. Unfortunately, the one job she does take is with the local police chief, Griff (Anthony Eisley), and now he wants her out of town. Prostitutes do not belong in his town. Talk about hypocrisy.
However, Kelly is hugely successful in her new job and she meets a nice guy and they fall in love. His name is Grant (Michael Dante), he is the richest man in town and Griff’s best friend. Griff is strongly against a marriage, convinced Kelly is a gold-digger. Shortly before the wedding Kelly’s world come crashing down as (SPOILER) she finds out Grant is a pedophile and wants to marry her because she is also flawed, her being a prostitute. Kelly grabs a phone, knocks him in the head and kills hem (careful with those phones…) For Griff the case is clear. Kelly deliberately went after Grant’s money and killed him in the process. How will Kelly get out of that pinch?
For the first half hour I had some trouble paying attention to this movie. I suppose the filming felt like a throwback to the fifties and the story did not appeal much to me. But at that crucial moment where Kelly kills Grant, Fuller changed gear and this becomes a lot more interesting. The plot is piling up against Kelly and it gets quite exciting. In these passages “The Naked Kiss” is very much a film noir and a good one at that.
Constance Towers is by far the best actor on the set and giving her as much screen time as possible was a good choice. Her quiet despair is subtle and convincing, and her full steam misery is pretty good too. The rest are more B crew types, but they suit the movie.
There are flaws though. Not big enough to sabotage the movie, but odd enough that I cannot help thinking about them. They are, however, typical of Samuel Fuller.
First off Griff is a prick. His hypocrisy in the opening, his reluctance to recognize her change, his wild accusations and the vitriol he pours at her in the prison. But, alas, when he realizes she did not kill Grant for his money, but because he was a pedophile there are no apologies or remorse. In fact it would appear Griff and Kelly were lovers all along. Ehh, why is she kissing him instead of punching his face?
Secondly, Kelly did actually kill the guy violently. He may be a pedophile, but he did not attack her. She cannot claim self-defense. In most places that is not enough to kill a guy. Instead you go to the police. So, as I understand it she is actually guilty of murder. Something I have misunderstood?
A last item is the interrogation of the little girl at the police station. That made me cringe. Can you really rough up a child witness like that? And where are her parents? Maybe it is the age showing, but it felt wrong.
It ought to be easy to fix these details and the result would be a wonderfully lurid tale. I think I preferred “Shock Corridor”, but there is enough in the “The Naked Kiss” to make it worthy of watching. Whether I think it deserves a place on the List I am doubtful. At least I need to get a more complete view of 1964 first.