Stranger Than Paradise
“Stranger Than Paradise” is a movie that
challenges the concepts of what a movie can and should do. While Hollywood has
not entirely (some would say not at all) shed the classic story arch and format,
by the mid-eighties, this format was even more entrenched. Sure, David Lynch
had pushed the boundaries, and a number of arthouse directors did whatever they
wanted, but it is my impression that “Stranger Than Paradise” came as a
surprise for many viewers. Despite being completely different, it works and very
well indeed.
The story unfolds in three acts. In the
first, Eva (Eszter Balint) arrives in New York from Hungary. She is supposed to
go live with an elderly woman in Cleveland, known as Aunt Lotte (Cecillia
Stark), possibly her mother (?), but as she is in hospital, she must stay for
ten days with her cousin Willie (John Lurie) in New York.
Willie is a small time hustler or sees himself
as one. He lives in a little one-room apartment and does practically nothing. When
he finally does something, it is gambling at the races or cheating in poker
with his friend Eddie (Richard Edson), an equally vacant type. He has no idea
how to deal with Eva and together they just sit in his little apartment and smoke
vast amounts of cigarettes. Eventually Eva leaves for Cleveland.
In the second act Willie and Eddie muster
enough initiative to borrow a car to drive to Cleveland to visit Eva. Once
there, the activity level drops to zero again and they are just sitting playing
cards with Aunt Lotte. Eva has a lousy job vending hot dogs and a maybe-boyfriend,
but is also bored.
For the third act, Eddie and Willie get the
spontaneous idea of taking Eva to Florida, only to check into a motel there... and
get bored. Eddie and Willie go gambling at the races and Eva stumbles on some
money and heads to the airport to find a flight home.
In a sense, this is a movie where nothing
happens. Or more precisely, about people who has petrified into eventless
lives. Willie and Eddie think they are cool and have something going but it is
comically clear that they are two losers with zero going for them. Their bland,
uneventful lives are well represented by the slightly grainy, black and white
cinematography and the cold, dark and hazy winter weather. Even Florida has
never looked so bleak. I love the scene where Wille and Eddie are sharing a
beer in Willie’s apartment, saying absolutely nothing, because they have
nothing to say.
Eva is the outsider who likely has a hope
of a new an exciting life in the States, but all three places she goes, it is
the same bleak bucket of nothing. Even the music she plays is quickly turned
off. Her frustration is felt very clearly, sitting on the bed, left to do nothing.
She is the only one who takes a job, listens to music, does something, but it
changes nothing.
This all sounds bleak and depressing but it
is actually funny in that underplayed absurd way that makes you smile and shake
your head, but not laugh out loud. The characters are perfectly relatable but
also ridiculous in the way we ourselves are sometimes ridiculous and I am
certain that we are amused and touched by something we recognize in ourselves.
I suspect that the overall theme is the
disappointment that the fabled American dream does not somehow materialize all
by itself and that reality is really, really disappointing. Then, again, maybe
it does in a weird turn at the end of the movie. I would not say it is a criticism
of this American Dream, but a mockery of what people think it is. It is never
actually mentioned but the disparity between self-perception and hopes on one
side and the actual effort and skill put into it on the other is what makes
this movie interesting.
As mentioned in the opening, all this is told
without anything like a traditional Hollywood story arch. There is not really a
beginning or end, not a mid-crisis or resolution. It is just a state these
people move around in. It is a movie that leaves you with a sentiment, not a
story, with characters, not character development. And this it does very well.
I watched “Stranger than Paradise” first
time years ago and I usually like Jim Jarmusch’ movies. This is no exception,
and it is still amusing and thought provoking. Highly recommended.