Off-List: Private Benjamin
It may seem
like an odd choice to choose a lightweight comedy like “Private Benjamin” as
the third off-List movie for 1980, especially considering how many high quality
movies were bypassed by the editors this year. I admit it, it is not the
greatest movie ever made, but for me it is a nostalgic trip watching it. In my
childhood home this was a favorite and on heavy rotation. In those days, my fascination,
I believe, was the idea of this little girl going through military training
though watching it again so many years later I realize there is a bit more to
it.
Judy Benjamin
(Goldie Hawn) is a spoiled and pampered girl who has always had people to take
care of her. Her rich parents got her out of her first marriage to a professional
tennis player and her second husband, a lawyer, died on their wedding night
(the opening scene). Judy’s only qualifications are shopping and being a trophy
wife. The end of her second marriage throws her so much that she is talked into
joining the army (of all things), mostly to do something herself without
anybody to take care of her.
To Judy’s
surprise, the army is, well, the army, and a far cry from the life she has been
used to. She is in fact totally unprepared for the challenges and frankly not
really fit for them. Her officer, Captain Lewis (Eileen Brennan) is only too
happy when Judy’s parents show up to take her home. This, however, triggers something
in Judy. She is not going back to her old life but has something to prove and
her effort from then on is much improved. When on the war game marking the end
of basic training, she is instrumental in her side winning the game, much to
Captain Lewis’ grief.
Eventually
Judy meets the charming French doctor (gynecologist, no less), Henri (Armand
Assante) and has to choose between married life and the army. Is she ready to
lose her freedom again?
I do like
Goldie Hawn. She has excellent comedic timing, always had, and this movie is
more than anything a vehicle for her. She is in practically every scene of the
movie, and we are not suffering for it. Everything that is fun in this movie,
is fun because of her.
The basic
theme of “Private Benjamin” is taking charge of your life as opposed to having
other people run your life. It is so easy for Judy to just lean back and let
others lead her. Her parents did it, her (brief) husband did it, Henri does it,
and nobody expects anything from her but compliance. But taking charge of her
own life is liberating and empowering. It makes her blossom and feel fulfilled
even if it is also harder. Judy finds that she can do so much more when she gets
the chance and going back, easy as it seems, just does not taste as good.
There are
tons of clichés here too of course. The underdog managing to get through
military service, the useless girl who can do more than she thinks if she gets
the chance, but the most hilarious of the stereotypes must be the charming
French deucebag and the disaster of American women getting along in France.
That is a hoot, every time.
Yes, this
is a lightweight comedy and, yes, it is both formulaic and stuffed with stereotypes,
but it is sweet and funny and very easy to watch. And I am transported back to
the eighties.
Might not
work for everybody though.
I have less problem with formula in comedies than I do other places. For me, I think that's because often comedies are less about the plot and more about being funny--if the jokes are good and original, the fact that the plot is standard doesn't really bother me.
ReplyDeleteThis is light and fun, and while not all of it holds up, it's still a solid comedy.
I agree with that. I have found very few comedies I actually liked from the last 5-10 years and that is not from being formulaic but from overdoing the jokes.
DeleteEighties comedies feel more sweet and innocent, even the silliest of them. Maybe that is why I like them better. Or it is just nostalgia.