Sunday, 6 August 2023

Raging Bull (1980)

 


Raging Bull

I have a real problem watching movies about assholes. Especially when you are supposed to somehow root for them. Jake La Motta (Robert De Niro) and practically everybody around him are dimwitted, egoistic, brutal, violent, rude, abusive and short-tempered and I found nothing to like, sympathize with or relate to at all in these people. Add to that that this is about boxing, the sport I dislike more than any other and this was a very hard movie for me to get though. I could only watch a few minutes and I would have to take a break so it took me the better part of a week to get through this movie. I do not understand what I am supposed to get out of it or why this is something I should see. AFI has “Raging Bull” ranked as the fourth greatest American move of all time. Clearly, I am missing something, and will likely be in minority with my opinion. So be it.

Jake La Motta was a real figure. He was boxing professionally in the forties and went under the name “The Bronx Bull”. In his boxing career he was moderately successful. He won some and lost some and even held a title of some sort at a point. We see a lot of these boxing matches, which is basically one guy beating the shit out of another guy.

Most of the movie is about what happens between games. Jake’s manager is his brother Joey (Joe Pesci), a guy only marginally less offensive than Jake. They treat their women with scorn and abuse and take offense about almost anything. Maybe this is Italian New York style, but it feels amped up. Jake fights a lot with his wife but then ditches her and finds a new girl, Vicki (Cathy Moriarty). Actually, in the opposite order. He also treats her poorly, verbally as well as physically, but only near the end of the movie does she leave him. Jake and Joey also have an on/off relationship with some mafia looking guys that are not terribly different from themselves.

And things sort of go on like this for a couple of hours. Jake and Joey get into fights with everybody, eventually also each other. Jake’s career ends, he becomes a nightclub owner until that ends poorly. In the end Jake is a bit of a bum, lonely and poor, but smarter? I doubt it.

Well, there is no discussion that technically Martin Scorsese made an impressive movie and there is nothing wrong with the acting. All are doing a good job on that account. The black and white cinematography is also a good choice, it helps to give it that 1940’ies vibe. It is the narrative and the characters that are the problems here. I do not see where this story is going. An asshole becomes a moderately successful boxer which gives him license to be an asshole until that license expires and then there is nothing left. Great. Normally there is a redeeming element or a morale or something, but I saw nothing more than that. And those characters! Holy mackerel, they are stripped for anything sympathetic. Again, if we have to focus on bad guys, at least they are funny or evolve or get their comeuppance. You could say Jake gets the latter, but in an ugly, sad, and unsatisfying way. He started a bum and ended a bum and acted like a bum in the middle part.

So, why do we need this movie? Some obviously think this is important, but I fail to see why. It ticks none of my boxes. So, no recommendation from me. Well, unless you are into assholes treating everybody badly.

And thus ends 1980. On with 1981.

 

2 comments:

  1. For me, this is all about DeNiro. In a career filled with career performances, none are better than this one.

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    Replies
    1. He is convincing, certainly, but it is a terrible character.

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