Off-List: Cocoon
The first off-List movie of 1985 is “Cocoon”.
This is, again, a family favourite from my childhood, one of those movies I
watched multiple time back then and which I am therefore disposed to in a way
that I can hardly consider it objectively. Also, it belongs to that group of sweet
eighties movies that makes me long for a different age where everything was
less... grim.
In two separate tracks, we follow Jack
Bonner (Steve Guttenberg), the captain of a boat that takes people out fishing
and a group of elderly people at a retirement home, particularly the trio of
Art (Don Ameche), Ben (Wilford Brimley) and Joe (Hume Cronyn) and their wives,
Mary (Maureen Stapleton), Alma (Jessica Tandy) and girlfriend Bess (Gwen
Verdon).
Jack is on the verge of losing his boat
when he scores big time. A group of underwater archaeologists wants to rent his
boat for a few weeks. This is pretty awesome, and he even starts hitting on one
of them, Kitty (Tahnee Welch) until he learns they are actually aliens.
Life
at the retirement home is dull, it is mostly a place where you wait to die, but
Art, Ben and Joe have found their little escape. Now and then they sneak over
to the empty neighbouring house where there is a heated pool to have their fun.
One day, however, they learn the house is empty no more, yet they are not willing
to give up on their little treasure, so they sneak in and continue to use the
pool.
Slowly the pool is filling up with big
rocks and although at first they are slightly disturbed by this, they do feel
great. In fact, they seem to be finding their youth again. Of course, they get
caught in the act and realise the people they have been trespassing on are...
aliens.
“Cocoon” is a feel-good movie, but with a
bitter-sweet flavour that makes it a relevant movie. The core of the story is
that of these elderly people finding their youth again, blooming at a time
where this should be just a distant memory. There is something extremely invigorating,
literally, at seeing them getting this happy. It challenges the unfairness that
we all must fade away eventually, but it also returns the question if refound
youth (and potentially eternal life) will not upset a few things. There is a
price to this, even if it is not at first obvious.
“Cocoon” is also a hilariously funny movie.
Guttenburg was at this time involved in tons of comedies, but the stars of this
movie are the old folks. They were fun before they found their youthful energies,
and unstoppable after. There is something incredible endearing about them that
makes you want to be their friends.
The winning argument for me today, however,
is to see this as a sort of comeback for all these elderly Hollywood stars.
Every single one of them has a CV that would make anyone proud, and I have
watched them here and there in earlier movies. Hume Cronyn and Jessica Tandy
had at this point been married for more than forty years. To watch them all
giving stellar performances here in the autumn of their lives touches me very
deeply.
When I watched “Cocoon” as a child, what I
loved was the adventure, the idea of aliens returning to earth to rescue those
left behind thousands of years ago and to give the opportunity to travel with
them to space and it bothered me that Ben’s grandson, David (Barret Oliver) was
not allowed to join that adventure. This adventure still works today, although
eclipsed by those points mentioned above. This is largely due to the always
excellent work of one of my favourite directors, Ron Howard.
“Cocoon” takes me back to a better time,
but it is not a movie that feels old. We watched it as a family movie, and it
works all the way round. Highly recommended.
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