Raising Arizona
“Raising Arizona” is the first movie on the List from Ethan
and Joel Coen. The Coen brothers is a remarkable unit in the film industry who,
like Powell and Pressburger back in the forties, make standout movies that are
entirely their own. We often talk about a Coen brother movie and understand it
to be that very specific kind of movie with unique elements that nobody can
emulate. Whether you like it or not is a matter of personal taste but as with
Hitchcock, you have a fairly good idea what you are in for up front. “Raising
Arizona” is very much a Coen brothers movie.
Herbert I. “Hi” McDunnough (Nicolas Cage) is a repeat
offender who cannot miss an opportunity for robbing convenience stores. Every time
he is back in jail, he gets his mugshot taken by “Ed”, short for Edwina (Holly
Hunter). This happens so often that eventually Hi proposes to Ed and she
accepts.
Ed and Hi gets settled in some ramshackle shed of a home in
the middle of nowhere, Arizona. Ed wants a baby, but eventually learns she is
barren. Due to Hi’s criminal record they cannot adopt so when they learn that a
local rich furniture tycoon, Nathan Arizona Sr., gets quintets, they decide to
take one of them as he obviously has plenty. Nathan Arizona Jr. becomes very valuable
with a reward of 25,000$ for bringing him back and several parties take an interest
in the little boy, including Hi’s strange boss and wife (Sam McMurray and Coen
regular Frances McDormand), two escapees from the local prison and old friends
of Hi, Gale (another regular, John Goodman) and Evelle (William Forsythe) as well
as the mysterious badass bounty hunter Smalls (Randall Cobb), who hates little
things.
The result is a chase and hunt that must be seen to be
believed.
“Raising Arizona” plays out as a comedy. Not because the
plot is particularly comedic, but because the characters are completely left
field. If you set oddball character in regular roles and let it play out, you
get the recipe for a Coen brothers movie and that is exactly what we get here.
Sure, there are some setups and some... not quite believable situations, but
largely the story and movie is character driven. It is strange and wacky because
the characters do or say what such oddball characters would be doing or saying.
The Coen brothers simply let it play out with no filter. Hi has little backbone
and acts impulsively because that is the character he is. Same with Ed. She is
emotional and really wants a child, so she does what she does. Gale and Evelle
are scatterbrained fools, so they enthusiastically do a lot of stupid shit.
Because it all is so far from normal, the situations become rather extreme and
so the comedy lies in where that takes us.
It is easy to sit on the side and think that all this is
awfully silly and these people must be stupider than toast bread, but there is
always that thread of normality that anchors a Coen brothers movie in the real
world and, as in “Burn after Reading”, although the characters are completely
out there, we can recognize something in them, at least their emotions and
motivations. They just act out what we would normally supress. With that anchor
we can actually relate and recognize and it becomes funny rather than weird.
While this is a typical description of a Coen brothers
movie, it is particularly true of “Raising Arizona”. The pace is faster than
the typical Coen brothers movie and maybe that is the only reservation I have with
the movie. It is almost too fast. That works fantastic in the chase scenes, but
in the character building part, the pacing makes the movie cartoonish and the
above mentioned thread becomes too thin.
I liked the movie, but I also expected it to be more fun than
it actually was. The Coen brothers went all in on this one and maybe they should
have restrained themselves a bit, grounding the movie a little better. But then
again, that is what makes a Coen brothers movie fly.

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