Grøn Var Min Barndoms Dal
At the
Academy Awards in 1942 the big winner was John Fords “How Green was my Valley”
including the big one for Best Picture. Considering 1941 was a big year with
films like “The Maltese Falcon”, the commonly recognized founder of the film
noir genre and a blockbuster on its own, and “Citizen Kane”, the founder of
almost anything else in cinema, “How Green was my Valley” must be absolutely
awesome.
I know,
going into a film with high expectations is never a good idea so I supposed “HGwmV”
was doomed from the beginning.
Honestly I
do not know where those Oscars came from. At this point I am operating with two
theories:
1.
The
Academy was composed of nostalgic old farts dreaming themselves back to those
glorious days in the coal mines of Southern Wales and cry with blissful longing
for the whap of the teachers stick.
2.
The
memory of “Gone with the Wind” was still fresh with them and this epic story of
a world of yesteryear torn apart reminded them of it.
My own
impression of “HGwmV” is that it feels schizophrenic. It is told with a
nostalgic longing for things past, painting the images with a rosy hue so that
you feel that the narrator is almost breaking his voice from all those golden
memories. But what are those memories?
Ah, yes, we
got the loving but strict father. Yes, he was oh so wonderfully strict, but you
have to be with many children in those old days. Well, as the film progresses
he is softening and we do get to see a heart of gold, but at that point the
sons are either gone or killed and the daughter married off against her will.
Oh, and
those glorious coal mines. Now that was good, solid work for real men.
Wonderful coal dust to soften your lungs and good workout to strengthen a boy.
Well, from time to time people would die down there in the pits and them coal
slags were probably not too healthy either, but what job is really safe? Oh,
and job security was maybe not the strong side either not to speak of
environmental impact on those picturesque valleys. But come on, those coal
mines were great and men were singing when they came from work after a day of
labor in the dark, wet mines.
School was
also a golden memory. What a great experience to get mocked by both teacher and
students, but then a good boy can learn boxing and when you knock somebody down
you have made yourself a name in the world. And that whacking of the teachers
stick, well he seemed to get a kick out of it so it was good for something and
then you could wear your stripes with pride. Not like lax schools today, oh no,
we looong for them good ol’ days.
One thing
we definitely remember with a nostalgic pang was the community feeling in the
village. All that singing and drinking beer (not too much) was great. Everyone
was welcome. And a bit of fighting, branding or gossiping was not too bad, no?
So, a few ended up as outcasts and that it happened to be those most worthy in
the community, well was just too bad, guess they had it coming, breaking the rules
and all.
To the defense
of the story we can choose to see it as an “innocence lost” storyline, where
everything is happy happy (sort of) in the beginning but all those bad things
gradually destroys everything good about life in the valley till there is
nothing left but to leave. I suppose that is an okay, but rather depressive
storyline.
My
experience watching it was that of a bumpy ride through the lives of the
Morgans, the host family of the film. There are ups and downs, though mostly
downs and it does not feel as if the story is going anywhere. With half an hour
to go I was wondering how they were going to end this one because I did not
really see a climactic resolution on the horizon. Without revealing too much I
can say that it was a bit of a fizzle as people either die or leave, more or
less as they had throughout the picture.
For the
film an entire village had been built in California to mimic a Welch mining
village since they could not use the real thing in Wales due to the war. I have
no complaints about that, it looks real enough to me and I guess that is an
achievement. The odd mix of dialects however kept grating on me. I think the
only thing they had in common was being rural.
The Book
describes “HGwmV” as a Kleenex film, but it did not really work on me. I guess
I do not miss my old coal mine so badly and a scattered family, well, you
should meet mine.
Interesting (and humorous) insights into this. I find the film beyond depressing. And, you're right, the changing dialects is problematic, too.
ReplyDeleteThank you. I guess my problem with this one was mostly how one can be so nostalgic about a circumstances so terrible. IT is so odd that it is almost funny.
DeleteI really couldn't get beyond the attitude in this film. Huw's mother makes me stabby.
ReplyDeleteAgreed. At least his father had enough sense to make it possible for Huw to escape that dismal future, but his mother fight it every step.
DeleteShe gets angry if anybody come off smarter than she is.
At the time Citizen Kane was buried by William Randolph Hearst. It wasn't until a couple decades later before it even became widely seen, let alone appreciated. And The Maltese Falcon was from a genre that was considered low class at the time (still is, actually - how many other noirs have ever won Best Picture) and with murder and crime being a big part of it there was no way that the Academy was ever going to vote for it. HGWMV was the safe choice. I'm not saying I think it's better than those other two; I'm just saying it's easy to understand why those two did not win.
ReplyDeleteI accept your arguments, but I still do not think that is enough. Those two pictures were not the only ones better that "HGWMV" that year, just the most prominent.
DeleteI'm as confounded as you at how this film won "Best Picture". I've seen it once and have no inclination to ever re-watch it. I suppose the film's fine cinematography may also have played a role in putting this at the top of the Academy's list.
ReplyDeleteThat is possible. I still lean toward a remsemblance to Gone with the Wind. Anything that carried a bit of the magic was gold in Hollywood at that time.
Delete