Dr. Caligari
It is about
two years ago I saw the early movies on the list. Some of the details fade with
time and a rosy patina settles on the memory making the movies seem better or
less poor than they were back when I saw them. One of those movies I remember
particularly fondly is Dr. Caligari. Was I deceiving myself or is it really as
good as I remember? I decided to see it again just to find out and also to be
better equipped to write my commentary.
I was not
mistaken. Dr. Caligari is exactly as good as I remember. Maybe even better.
If you have
not seen Dr. Caligari stop reading this. Go treat yourself with the doctor and
then come back and tell me if I am totally wrong. The rest of this commentary will
be a big time spoiler if you have not seen it.
In the
small town of Holstenwall the mysterious Dr. Caligari is setting up his
sideshow for the local fair. His show features a somnambulist whom he claims
has been asleep for 23 years but will wake up upon request and answer questions
on the past and the future, on life and, as we will find out, death.
Francis and
his friend are in love with the same girl. They go to the fair and visit Dr.
Caligari’s sideshow. The friend asks Cesare, the somnambulist, how long he has
yet to live and the pale, ghostly Cesare tell him that he has until the early
morning. Already one murder has been committed and during the night Francis
friend dies as well.
Francis is
convinced that Dr. Caligari is behind this and embarks on a crusade to bring
down Dr. Caligari. When his girlfriend is attacked by the somnambulist, Francis
is keeping watch on Dr. Caligari in his trailer where Cesare is sleeping in his
box. It turns out though that it is not Cesare after all in the box but a doll.
Dr. Caligari flees with Francis on his trail and ends up at a mental asylum.
Francis
finds out that Dr. Caligari is in fact the director of the asylum, who wants to
recreate an old Italian story of a Dr. Caligari who travelled around with a
somnambulist. In the process the director becomes so obsessed with the idea
that he becomes Dr. Caligari.
At this
point we return to the beginning where Francis is telling this entire story to
a friend at the asylum and we find that many of the characters of the story are
in fact patients here including Cesare and the girlfriend. Seeing the director
Francis gets very excited, shouting that this is Dr. Caligari. The staff fixate
him and take him to a cell where the director turns to the camera and tells us
that now that he knows that Francis thinks the director is Dr. Caligari, he
knows how to cure him.
The story
Francis has been telling is apparently fiction and he is a patient himself.
That much is clear. The rest leads itself to interpretation. We have seen this
twist in later films and I wonder if this is not the earliest example. A film
like “The usual suspects” comes to my mind. What is really the truth?
“Dr.
Caligari” is very expressionistic and full of symbols. Buildings are
caricatures with odd angles and disturbing shapes. Officials are sitting on
very high chairs talking down to people. The somnambulist is a study in itself
in light and shadow so gloomy that I find him spookier than any other character
I have seen in early cinema.
So, is
Cesare a dark side of Francis who kills his rival to the girl and tries to take
the girl away? Is Dr. Caligari a controlling voice, an authority in Francis who
tells him to do things? Things another part of Francis does not want to do? Is
the entire story just a fiction made up by Francis using characters around for
some diabolical inner struggle he is fighting? Some deep personality disorder?
I cannot
say for sure and that means that I go around thinking and marveling over this
story for a long time.
This is a
gem and it told me very early on this 1001 movie quest that it is a worthwhile undertaking.
It is a strange film, and worth watching for a lot of reasons. One is the odd settings. Another is the fact that we might have an unreliable narrator, which was pretty new for film. Exciting stuff!
ReplyDeleteNot to speak of the incredible mood of Dr. Caligari. The light and shadow play and the score. Awesome stuff.
DeleteI think I had a very similar experience as you with this film. It's so cool, so visually interesting, so gripping a story, and all in a very early film. Like you, it reinforced in me that this journey through the 1001 Movies would be awesome!
ReplyDeleteWhen I saw Dr. Caligari first time I had just gotten through Intolerance. I needed that positive experience.
DeleteI liked this film quite a bit. I usually see twists coming in movies, but I didn't with this one. I had noticed the weird sets, but I figured this was an artistic choice. When we find out that the events on those sets have been told to us by a madman, they suddenly make sense.
ReplyDeleteIt's because of this film that I figured out what was going to happen in Shutter Island just from watching the trailer for it.
Frankly it took me by surprise. It was only on second viewing I really got to appreciate it as much as it deserves.
DeleteThis is Robert Weine's greatest film and probably one of the best silent movies ever made--at least when you consider the cinematography and art direction. The story is wild, too.
ReplyDeleteYes, it is a riot. This is a movie I like going back to and I agree, it is one of the best silent ever made.
Delete