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“Close
Encounters of the Third Kind” is another movie with a deep history with me. Not
in my childhood though, back then the UFOs scared me and the homewrecking obsession
of Richard Dreyfuss’ Roy Neary felt boring and uncomfortable, but later, in my
teenage years, this became something of a cult movie for me. As I am certain it
has been for a lot of people. I have held back from watching it for the past
ten years or so in anticipation of watching it for the List and that pause has
made it possible to watch it with new eyes. I see other and different things in
it now than I did years ago.
“Close
Encounters of the Third Kind” is the love child Steven Spielberg was finally
able to make with all the credits he earned from the blockbuster success that
was “Jaws”. It is his vision of First Contact with aliens combined with the
conspiratorial wake of Watergate. Ordinary people are receiving strange visitations
from aliens, in particular Jillian Guiler (Melinda Dillon) and her son Barry
(Cary Guffey), the latter of which gets abducted by the aliens in a memorable
scene, and Ron Neary (Richard Dreyfuss), an electrician, who gets a very close
encounter in his service car during a power outage. These people start
obsessing about their experience, painting or sculpting a particular image,
which turns out to be the Devils Tower in Wyoming. For Ron, this obsession costs
him his job, friends and eventually his family. His wife, Ronnie (Teri Garr),
refuses of acknowledge his vision and eventually leaves him with their
children.
Meanwhile, weird
things are happening all over the world, leading E.T. expert Claude Lacombe
(Francois Truffaut) to believe something is imminent. When the aliens send a
set of coordinates (for Devils Tower!) a reception committee is set up by the
US government. Super top secret, but Ron
and Jillian are not so easy to keep out.
The version
I watched was Spielberg’s Special Edition, made 3 years later. The original
version was a bit of a rush job with a number of flaws that he got a chance to
fix in the special edition. I prefer this version, not for the extended finale,
awesome as it is, but because it is a much tighter cut. There is quite a lot of
Roy’s obsession that was ditched in this version and that was exactly what made
the theatrical version drag. We still get the idea, but now we are not getting
sidetracked.
Maybe because
of this I took more notice of Teri Garr as Roy’s miserable wife and that was a
big plus. Garr is always great, but it is rare to watch her in non-comedic
roles. Maybe it was her comedic skill that made the madness of her home even
crazier. She was phenomenal.
But then I could
say that about everybody here. Guffey as little Barry is adorable and the
abduction scene is iconic. When he opens the door with the yellow light
flooding in, he is in wonder while his mother (and likely the rest of us) are
horrified. That image has been used and referenced so often to exactly that
effect that it is probably the most recognized scene from the movie.
What I like
particularly about “Close Encounters of the Third Kind” is its optimistic tone.
The majority of movies involving aliens treat them as a threat and science
fiction is more often dystopic than hopeful. Maybe it is the overruling dramatic
need for a crisis and something fear inducing to spark interest, but there is
something fantastic and beautiful about the wonder on the faces of everybody in
that final meeting. This is revelation and optimism, the strange and alien as
something benign and not dangerous. It is a challenge to our xenophobia and skepticism,
a maybe childlike wonder, but for adults to experience.
A particular
key to the movie I think is when the expert government team of military types lined
up to meet the aliens is refused and instead the childlike aliens pick out Roy
and lead him on board. Is it not a comforting thought that he is our ambassador
and not cold, faceless government agents? Something about the preference of the
best in humankind rather than the worst.
Highly recommended
to anybody who still believe the unknown should be embraced with childlike
wonder.
SPOILER ALERT for anyone who somehow hasn't seen this 45-year-old movie...
ReplyDeleteThe only thing I take issue with is the Dreyfus character leaving with the aliens at the end. He's a dad. He's just walked out on his kids' lives.
That's a very Spielberg thing, though. Absent fathers show up a lot in his filmography. It's just the wrong choice in this case.
That is true. I think that was one of my objections too when as a child I felt uncomfortable watching this. It may be a dysfunctional home, but it is still a home and those are his children.
DeleteGreat review that captures a lot of my feelings about this excellent movie. By the way my postings are no longer updating on your or Steve's blog rolls. I'm sure it's some glitch on my end but have no idea what. Bea
ReplyDeleteIt is truly annoying that Blogger does this stuff. I have a nagging feeling that Google considers Blogger an old technology not worth maintaining. I will see if I can find a fix for you.
DeleteThis link may be helpful:
Deletehttps://keynotesupport.blogspot.com/2019/05/you-cant-enter-comment-on-blogger.html
But then, I think we did consider that before.