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It is quite
apparent that director Peter Weir liked to tell half stories back in his early
days. “Picnic at Hanging Rock” was only half the story told and this, “The Last
Wave” is another such half-finished tale. I understand the desire to keep some
mystery and that is fine with me, but with “The Last Wave” that move is brutal.
Tax lawyer
David Burton (Richard Chamberlain) is living his ordinary, quiet upper middle
class life when he is asked to take on a criminal case under the Australian Legal
Aid program. A small group of Aboriginal men stand accused of murder of a fellow
Aboriginie. This is unusual for David, both because he normally deals with
corporate tax and because he has had absolutely no contact before with the Aboriginal
community. Soon, however, it is clear to David that there is a lot more than a
simple murder story here. Whatever happened is connected to a number of weird
and intense weather phenomena hitting Australia and taps into Aboriginal
cosmology.
It is very
difficult to describe what is going on when the movie turns mystical. I suppose
that is the nature of mystery, but like David we only get hints and leads and
even though David presses hard for answers he only ever gets half answers. What
we do learn, and this may be a spoiler, though maybe not really, is that David
does have a spiritual connection to the Aboriginal world, that he has the skill
of premonition, at least in his dreams and that the Aboriginals recognize this
connection in him.
To David
this is very frightening, and he does not know what to do with it. He understands
it is fundamental for his murder case, but there is no interface between
Australian law and tribal law and so it does not help him. What David senses is
an oncoming cataclysmic event (maybe a giant tsunami?) but there is nothing he
can do about it. He is like a climatologist 10 or 20 years ago predicting the weather
we have now, but nobody could or wanted to listen because it did not fit with
their world.
What I like
in “The Last Wave” is the active participation and role of the Aboriginals.
Especially David Gulpilil as Chris Lee and Nandjiwarra Amagula as the sorcerer
Charlie. There is a window here into their world that is more detailed and
poignant for strengths and weaknesses than we usually see. There is a darkness
too that is not a little frightening. The idea of Dreamtime juxtaposed to our
reality.
“The Last
Wave” also bears some resemblance to the last movie I wached, “Close Encounters”.
David, like Roy, is getting obsessed with these images and feelings and they are
compelling him to depart from his own life, scarring the rest of his family.
The Aboriginies may not be little green men from outer space, but they carry
the same significance of something important happening. The main difference is
the pessimism and the impotence at doing anything about it and this is where I
feel this is half a story. A man learns of impending doom and… and then what?
Maybe the message is impotence, but I do feel robbed of half the story. It is
also rather weird what is happening in the sacred cave, and I was trying to
make sense of it. Was it a prophecy? Or is it a depiction of a cyclic event
that is now happening again? And what is David’s role, except for having the
premonition and knowing the Aboriginals are connected to it?
Finally, I
should mention that this is the first appearance on the List of Richard
Chamberlain. He did mostly television, but what television! His shows were a
staple in my childhood home, and it is nice to have caught up with him on the
List.
“The Dark
Wave” is oddly unsatisfying, but it is not a bad movie. It promises a lot, even
greatness, but does not quite make it there. Still, worth a watch. It is magic
time…
I didn't like Picnic at Hanging Rock. But I really, really hated The Last Wave. Weir's efforts to be mystical are lost on me. Bea
ReplyDeleteI was looking for your review but did not find it. It would appear The Last Wave is quite divisive. It is rather liked or disliked. I think I am among the few where it falls in between.
DeleteMy feeling about this--and a lot of Weir in general--is that he is trying to tell stories that don't really work in words. There is a sense here of reaching for something deeply spiritual and otherworldly and attempting to codify it in langauge diminishes it. We're not supposed to be able to describe it. We're supposed to feel it and understand it on a deep level, or we end up like the wife--terrified by something we can't possibly comprehend because we can't find words for it.
ReplyDeleteIt's not an easy movie, and while I think there's a lot here, it's not one I have revisited.
Yes, I read your review and I understand you found more in it than I did. I do not disagree with you though. The mysticism in it actually works for me. It is the role of David I do not understand. Just making him a man with a premonition seems... too little.
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